https://bryanbeyung.com bryanbeyung Mon, 13 Jul 2026 15:23:51 +0000 https://bryanbeyung.com en https://bryanbeyung.com/Shop Tue, 07 Dec 2021 20:09:50 +0000 bryanbeyung https://bryanbeyung.com/Shop CART&nbsp;︎ Oxide Red Hyena 8 x 6 inches Giclée on Arches paper.2024Hand signed <img width="2400" height="1800" width_o="2400" height_o="1800" data-src="https://freight.cargo.site/t/original/i/dbb6bf18e5ca6a93bdc769ab046aa36e35e16079fc5343f372fa71916b561f68/2024_Hyena_8x6.jpg" data-mid="249228052" border="0" src="https://freight.cargo.site/w/1000/i/dbb6bf18e5ca6a93bdc769ab046aa36e35e16079fc5343f372fa71916b561f68/2024_Hyena_8x6.jpg" /> Immortel I 9 x 12 inches Limited edition print of 50.Giclée on Arches paper.2022Hand signed and numbered. <img width="1102" height="1477" width_o="1102" height_o="1477" data-src="https://freight.cargo.site/t/original/i/261c7e127f5877bee651a87015287bb9b02edc8dac3335fc4609c9d67fc55ad9/ImmortelI.jpg" data-mid="149368755" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/261c7e127f5877bee651a87015287bb9b02edc8dac3335fc4609c9d67fc55ad9/ImmortelI.jpg" /> Immortel II 10 x 12 inches Limited edition print of 50.Giclée on Arches paper.2022Hand signed and numbered. <img width="1151" height="1391" width_o="1151" height_o="1391" data-src="https://freight.cargo.site/t/original/i/ba46153cf05ff814561b204afe46c7174d5afaa8cbc06448203602ea7bda8ddf/ImmortelII.jpg" data-mid="149368754" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/ba46153cf05ff814561b204afe46c7174d5afaa8cbc06448203602ea7bda8ddf/ImmortelII.jpg" /> Non Collectible Rock 8 x 6 inches Limited edition print of 50.Giclée on Arches paper.2022Hand signed and numbered. <img width="1173" height="879" width_o="1173" height_o="879" data-src="https://freight.cargo.site/t/original/i/0c5e1275e56eff7b8207236501cae212c23ccfba3220a0c9126692e3b336b758/Non-Collectible-Rock.jpg" data-mid="149368756" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/0c5e1275e56eff7b8207236501cae212c23ccfba3220a0c9126692e3b336b758/Non-Collectible-Rock.jpg" /> The Russian Market 20 x 16 inches Limited edition print of 30.Giclée on Arches paper. 2020Hand signed and numbered. <img width="1000" height="714" width_o="1000" height_o="714" data-src="https://freight.cargo.site/t/original/i/221651c6cf75c9f3b84fce7b10d73f9bdec45b464138add592a60aaf13f9ae51/BryanBeyung_TheGiftShop_20x16_1000px-copy.jpg" data-mid="127419139" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/221651c6cf75c9f3b84fce7b10d73f9bdec45b464138add592a60aaf13f9ae51/BryanBeyung_TheGiftShop_20x16_1000px-copy.jpg" /> Good Morning Phnom Penh 20 x 16 inchesLimited edition print of 30.Giclée on Arches paper.2020Hand signed and numbered. <img width="1000" height="714" width_o="1000" height_o="714" data-src="https://freight.cargo.site/t/original/i/9dceb7009344f8425b677a77a0840c0362a0254e4f63ca2d331f1b148ab48b5b/BryanBeyung_GoodMorningPhnomPenh_20x16_1000px-copy.jpg" data-mid="127419138" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/9dceb7009344f8425b677a77a0840c0362a0254e4f63ca2d331f1b148ab48b5b/BryanBeyung_GoodMorningPhnomPenh_20x16_1000px-copy.jpg" /> Oxide Red 18 x 26 inchesLimited edition print of 20.Giclée on Arches paper.2019Hand signed and numbered. <img width="1000" height="1405" width_o="1000" height_o="1405" data-src="https://freight.cargo.site/t/original/i/569f6b6df504da3acee15116115b908966b248ba8debad37fd17fe884cba3bb9/OxideRed_18x26_1000px.jpg" data-mid="127419140" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/569f6b6df504da3acee15116115b908966b248ba8debad37fd17fe884cba3bb9/OxideRed_18x26_1000px.jpg" /> https://bryanbeyung.com/Remanences-Loss-as-a-Gift-1 Mon, 13 Jul 2026 15:23:51 +0000 bryanbeyung https://bryanbeyung.com/Remanences-Loss-as-a-Gift-1 <img width="1892" height="2144" width_o="1892" height_o="2144" data-src="https://freight.cargo.site/t/original/i/cf604b4768d9815858b5fb216969af60c6bb87102ccc7acb2804adfcb4338576/BB_Vestige-III-Old-Skin--New-Skin-III_2025_32x48.jpg" data-mid="250374884" border="0" src="https://freight.cargo.site/w/1000/i/cf604b4768d9815858b5fb216969af60c6bb87102ccc7acb2804adfcb4338576/BB_Vestige-III-Old-Skin--New-Skin-III_2025_32x48.jpg" /><img width="5169" height="3644" width_o="5169" height_o="3644" data-src="https://freight.cargo.site/t/original/i/a3b5a3a8425d16cc82ec872ab5b9ee3358044d91efae5098fb34838e027e817d/BB_Cycles_2026B_1.jpg" data-mid="250376174" border="0" src="https://freight.cargo.site/w/1000/i/a3b5a3a8425d16cc82ec872ab5b9ee3358044d91efae5098fb34838e027e817d/BB_Cycles_2026B_1.jpg" />Rémanences / Loss As A Giften collaboration avec James Lee ChiahanGalerie Pierre-François Ouellette (PFOAG), du 30 mai au 11 juillet, 2026 Rémanences / Loss as a Gift est une exposition en duo avec James Lee Chiahan. Ensemble, nous explorons la perte comme une expérience de transformation, qu'elle soit liée au deuil ou au déracinement. Dans mon travail, je m'intéresse aux traces laissées par le déracinement et à la façon dont nous nous reconstruisons ailleurs. Je réfléchis à ce que l'on garde, à ce que l'on perd, et à la manière dont ces expériences nous transforment. Les images de mue, de régénération et de floraison deviennent des métaphores du changement et du renouveau. James Lee Chiahan, quant à lui, aborde la perte d'un être cher. À travers ses peintures, il explore le deuil et montre comment l'amour, les souvenirs et l'absence continuent de vivre en nous. Nos démarches se rejoignent autour d'une même idée : la perte nous transforme. Rémanences / Loss as a Gift is a two-person exhibition with James Lee Chiahan. Together, we explore loss as a transformative experience, whether through grief or displacement. My work reflects on the traces left by displacement and how we rebuild ourselves elsewhere. I think about what we choose to carry with us, what fades away, and how these experiences shape us. Images of shedding, regeneration, and blooming become metaphors for change and renewal. James Lee Chiahan's work focuses on the loss of a loved one. Through painting, he explores grief and the ways love, memory, and absence continue to live within us. Together, our work is grounded in a shared idea: loss has the power to transform us. <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/f63f2f6587dda745de7089c69ce071c3d03e2e44ccd9a874b91eb77be6fa4885/DSC05232-2.jpg" data-mid="250386244" border="0" src="https://freight.cargo.site/w/1000/i/f63f2f6587dda745de7089c69ce071c3d03e2e44ccd9a874b91eb77be6fa4885/DSC05232-2.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/1d36a12f45d18ea11d08f32017b4f5f4debbd5ce3e715c10de40f3310f5609f3/DSC05252-2.jpg" data-mid="250386247" border="0" src="https://freight.cargo.site/w/1000/i/1d36a12f45d18ea11d08f32017b4f5f4debbd5ce3e715c10de40f3310f5609f3/DSC05252-2.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/037d13303f769fe623b87be22409313936ace922aa57aab6a3eb0482a0f077d1/DSC05161.jpg" data-mid="250386283" border="0" src="https://freight.cargo.site/w/1000/i/037d13303f769fe623b87be22409313936ace922aa57aab6a3eb0482a0f077d1/DSC05161.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/b771a81a0f357369376b1fff297e6f460fd1ac8b2c01b966e44e773bcfe9ca0e/DSC05233-2.jpg" data-mid="250386243" border="0" src="https://freight.cargo.site/w/1000/i/b771a81a0f357369376b1fff297e6f460fd1ac8b2c01b966e44e773bcfe9ca0e/DSC05233-2.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/1509815eb9c10dfa73c4b673dbcc79f81007026d481cbdb025b5737ec7622a3a/DSC05245-2.jpg" data-mid="250386248" border="0" src="https://freight.cargo.site/w/1000/i/1509815eb9c10dfa73c4b673dbcc79f81007026d481cbdb025b5737ec7622a3a/DSC05245-2.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/aa6c6c9ddc2f529065735d09407bc0362ae64c6788289a5502f695d4bb01c18c/DSC05185-2.jpg" data-mid="250386306" border="0" src="https://freight.cargo.site/w/1000/i/aa6c6c9ddc2f529065735d09407bc0362ae64c6788289a5502f695d4bb01c18c/DSC05185-2.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/9e3dc2ae592cf70f7758337f3d992a682376312aa7c5c82b60b448e646ad8125/DSC05257-2.jpg" data-mid="250386245" border="0" src="https://freight.cargo.site/w/1000/i/9e3dc2ae592cf70f7758337f3d992a682376312aa7c5c82b60b448e646ad8125/DSC05257-2.jpg" /> https://bryanbeyung.com/Asbestos Tue, 05 Jan 2021 14:17:32 +0000 bryanbeyung https://bryanbeyung.com/Asbestos Asbestos "Qu'est-ce qui est plus impressionnant : voir de la neige pour la première fois, ou voir un asiatique pour la première fois ?"À la rencontre de l'inconnu. Dans ce projet de recherche-création, à travers un récit personnel, celui de l’arrivée de ma famille, exilée du Cambodge et déplacée à Asbestos en 1980, une petite ville minière et rurale en Estrie au Québec, j'examine la rencontre avec l'autre. J’explore les contrastes, les moments inattendus et les processus d'apprentissage réciproque qui émergent des confrontations culturelles. Je cherche à comprendre comment ces premières impressions façonnent la perception de l'inconnu. L’arrivée dans un environnement aussi radicalement différent, tant sur le plan culturel que climatique et social, a marqué un choc entre l’ancien et le nouveau monde. Ces rencontres, souvent marquées par la curiosité et les malentendus, ont laissé des traces invisibles sur le plan humain et culturel. En mettant en lumière ces moments, je souhaite offrir une perspective à la fois intime et universelle, qui invite à réfléchir sur l’identité, la mémoire et les héritages partagés. Ce projet, entamé en 2021, est toujours en cours. Lire l’article L’allumeur de murs&nbsp; du journaliste Yves Boivert de LaPresse en lien avec cette série. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/00a9b4e75bc58ebbdd9c894e34a539d5fe58880fe8d8b182959581cfc94ee8a2/IMG_20191113_143509.jpg" data-mid="218739654" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/00a9b4e75bc58ebbdd9c894e34a539d5fe58880fe8d8b182959581cfc94ee8a2/IMG_20191113_143509.jpg" />&nbsp; &nbsp; &nbsp;<img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/34303a822a6f9b7132e6c00cabec83eac3429e74c93148582f2ad1b6a78b0ce3/IMG_20191113_143522.jpg" data-mid="218739655" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/34303a822a6f9b7132e6c00cabec83eac3429e74c93148582f2ad1b6a78b0ce3/IMG_20191113_143522.jpg" /> Les dessins de mon père, Chimeng Wang, offerts en guise de cadeaux d'adieu à leurs parrains à Asbestos. Ne trouvant pas de travail sur place, mes parents ont pris la décision de quitter Asbestos pour s'installer dans la grande ville de Montréal.Chimeng Wang Graphite sur papier, 1981 Gauche : portrait du père curé Gérard Grégoire Droite : portrait du prête, nom inconnu <img width="1500" height="875" width_o="1500" height_o="875" data-src="https://freight.cargo.site/t/original/i/6f975c6e7f312327b1b31dda62b435660d65ff74da3a282ee24ca4a32dc1eb0c/Asbestos_HD2021.jpg" data-mid="111985699" border="0" src="https://freight.cargo.site/w/1000/i/6f975c6e7f312327b1b31dda62b435660d65ff74da3a282ee24ca4a32dc1eb0c/Asbestos_HD2021.jpg" /> Asbestos 90 x 55 poucesHuile sur toile Bryan Beyung2020Créée dans le cadre de la Nuit Blanche à la galerie Anteism Books <img width="1173" height="879" width_o="1173" height_o="879" data-src="https://freight.cargo.site/t/original/i/0c5e1275e56eff7b8207236501cae212c23ccfba3220a0c9126692e3b336b758/Non-Collectible-Rock.jpg" data-mid="194040545" border="0" src="https://freight.cargo.site/w/1000/i/0c5e1275e56eff7b8207236501cae212c23ccfba3220a0c9126692e3b336b758/Non-Collectible-Rock.jpg" /> Non Collectible-Material&nbsp;8 x 6 poucesHuile sur panneau de bois2022Créée dans le cadre de l’exposition collection Forest For The Tree (Seattle) <img width="1270" height="816" width_o="1270" height_o="816" data-src="https://freight.cargo.site/t/original/i/cf3634275e52ad5a0618039cbab909f03e1ded50fd7ad9b609272056bb4eaf8a/Asbestos2_LR.jpg" data-mid="94062339" border="0" src="https://freight.cargo.site/w/1000/i/cf3634275e52ad5a0618039cbab909f03e1ded50fd7ad9b609272056bb4eaf8a/Asbestos2_LR.jpg" /><img width="1270" height="816" width_o="1270" height_o="816" data-src="https://freight.cargo.site/t/original/i/8e626ef8b7cf50a7e21b43d3c3c9c3a09ba3e46c1407e032214ea2cff6ed3173/Asbestos4_LR.jpg" data-mid="94062698" border="0" src="https://freight.cargo.site/w/1000/i/8e626ef8b7cf50a7e21b43d3c3c9c3a09ba3e46c1407e032214ea2cff6ed3173/Asbestos4_LR.jpg" /><img width="924" height="616" width_o="924" height_o="616" data-src="https://freight.cargo.site/t/original/i/8d22ff751df9e5d74b8d9d5064970534ffe9f876eeb36300ea16e381aa00c091/Asbestos6.jpg" data-mid="94063133" border="0" src="https://freight.cargo.site/w/924/i/8d22ff751df9e5d74b8d9d5064970534ffe9f876eeb36300ea16e381aa00c091/Asbestos6.jpg" />Photo Souvenir d’Asbestos par Hugo-Sébastien Aubert, LaPresse <img width="1270" height="816" width_o="1270" height_o="816" data-src="https://freight.cargo.site/t/original/i/b8c108d0ec8878b899410577ab372030624f67f2f003ee178f24338e448b68d0/Asbestos3_LR.jpg" data-mid="94062338" border="0" src="https://freight.cargo.site/w/1000/i/b8c108d0ec8878b899410577ab372030624f67f2f003ee178f24338e448b68d0/Asbestos3_LR.jpg" /><img width="1270" height="816" width_o="1270" height_o="816" data-src="https://freight.cargo.site/t/original/i/b54cb8af89c669c98a7146f184df0dc5d9bcca0d77f7d8762d01c31da6373c6b/Asbestos5-copy.jpg" data-mid="94062337" border="0" src="https://freight.cargo.site/w/1000/i/b54cb8af89c669c98a7146f184df0dc5d9bcca0d77f7d8762d01c31da6373c6b/Asbestos5-copy.jpg" />Mine de Jeffrey, Asbestos, Québec 1979 https://bryanbeyung.com/La-boite-a-jouets Tue, 22 Jun 2021 03:15:35 +0000 bryanbeyung https://bryanbeyung.com/La-boite-a-jouets La boîte à jouetsMurale ruelle Garlanau,&nbsp;Rosemont, Montréal2023 La boîte à jouets, celle que l’on vidait de tout son contenu le matin et avec laquelle on ne s’arrêtait de jouer que lorsque nos parents nous appelaient pour le dîner. Ces jouets sont des vestiges et témoins d’une autre époque, ils nous rappellent des souvenirs d’enfance ainsi que d’un imaginaire unique à celle-ci. De là tout l'engouement pour le vintage. Il est devenu une sorte de manifestation face à la culture dominante moderne. À l'ère des nouvelles technologies, le vintage est un refuge contre un monde en évolution rapide. Les jouets traditionnels invitent les jeunes à partager, à socialiser, à exploiter leur créativité et les poussent à se divertir autrement qu’avec les gadgets électroniques. De ces observations est née l’idée de créer une murale publique accompagnée d’une activité d’échange avec les résidents de la ruelle Galarnau à Rosemont, où parents et enfants, étaient invités à partager leurs jouets préférés. &nbsp;Projet réalisé grâce à la contribution du Conseil des Arts et Lettres du Québec, Mange Dans Mon Hood , Dentiste Honoré Kin, Chhay Ngor WangAssistants : Pascal Foisy et Philippe BourgeoisVidéos : Laurence Brière, Victor Le, Duc Nguyen Huu Voir la galerie photos et vidéo ici <img width="1350" height="600" width_o="1350" height_o="600" data-src="https://freight.cargo.site/t/original/i/1a25e6c8afd8b67ab05ae61eaa34ceb261570b50bfb418556056d65e2998dbf6/Calq_noir.png" data-mid="194372992" border="0" data-scale="13" src="https://freight.cargo.site/w/1000/i/1a25e6c8afd8b67ab05ae61eaa34ceb261570b50bfb418556056d65e2998dbf6/Calq_noir.png" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/c1beb0c318f940f413aa3c741848c7f6a70f93b8c1464e8818cc26d3c782e7ca/1687.016-2.jpg" data-mid="194945988" border="0" src="https://freight.cargo.site/w/1000/i/c1beb0c318f940f413aa3c741848c7f6a70f93b8c1464e8818cc26d3c782e7ca/1687.016-2.jpg" /> CaniculePointe-Saint-Charles, Montréal2021 &nbsp;Les jeunes ne jouent plus avec des jouets. &nbsp;Alors que Montréal traversait une vague de chaleur en pleine pandémie, des jeunes adolescents se tiraient dessus quotidiennement dans une hausse marquée de la violence armée. Kids no longer play with toys. As Montreal was goind through a heat wave in the midst of a pandemic, young teens were shooting each other daily in a marked increase in gun violence. <img width="1500" height="996" width_o="1500" height_o="996" data-src="https://freight.cargo.site/t/original/i/81011dfc3734e1c32cb8cb55fa5819a2a16abca355e4920f0aaef11b46f4ba87/DSC02563_2_1500px_72dpi.jpg" data-mid="111995241" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/81011dfc3734e1c32cb8cb55fa5819a2a16abca355e4920f0aaef11b46f4ba87/DSC02563_2_1500px_72dpi.jpg" /><img width="2992" height="2236" width_o="2992" height_o="2236" data-src="https://freight.cargo.site/t/original/i/aab067da734185ee9f07c0deb63d779edb8319ffde1f29b87eed8aabe966c5eb/DSC02563_0_1500px.jpg" data-mid="192944840" border="0" src="https://freight.cargo.site/w/1000/i/aab067da734185ee9f07c0deb63d779edb8319ffde1f29b87eed8aabe966c5eb/DSC02563_0_1500px.jpg" /><img width="1500" height="996" width_o="1500" height_o="996" data-src="https://freight.cargo.site/t/original/i/f9f80d51882e8691ce79b0535093df0e4a77f2cc8e9436716da220ab3457afab/DSC02563_7_1500px_72dpi.jpg" data-mid="192944786" border="0" src="https://freight.cargo.site/w/1000/i/f9f80d51882e8691ce79b0535093df0e4a77f2cc8e9436716da220ab3457afab/DSC02563_7_1500px_72dpi.jpg" /><img width="1500" height="2258" width_o="1500" height_o="2258" data-src="https://freight.cargo.site/t/original/i/c1b6e5cbe7ddb8e0cfe657f9376081965694043c48831f87d5d063d0d5155f8f/DSC02563_8_1500px_72dpi.jpg" data-mid="111995243" border="0" src="https://freight.cargo.site/w/1000/i/c1b6e5cbe7ddb8e0cfe657f9376081965694043c48831f87d5d063d0d5155f8f/DSC02563_8_1500px_72dpi.jpg" /><img width="2770" height="4170" width_o="2770" height_o="4170" data-src="https://freight.cargo.site/t/original/i/c3018634e59f246e6162c1688d41e600f3874a25775e6db42563cb4bf0949e4a/DSC02563_9.jpg" data-mid="192944787" border="0" src="https://freight.cargo.site/w/1000/i/c3018634e59f246e6162c1688d41e600f3874a25775e6db42563cb4bf0949e4a/DSC02563_9.jpg" /><img width="1500" height="1129" width_o="1500" height_o="1129" data-src="https://freight.cargo.site/t/original/i/110d1ae02f02eee5c3f6e0717d894365b8d101a22a0117b2df2ac6dff2675c77/unnamed0_1500px_72dpi.jpg" data-mid="111995246" border="0" src="https://freight.cargo.site/w/1000/i/110d1ae02f02eee5c3f6e0717d894365b8d101a22a0117b2df2ac6dff2675c77/unnamed0_1500px_72dpi.jpg" /> <img width="1000" height="746" width_o="1000" height_o="746" data-src="https://freight.cargo.site/t/original/i/e984dd30d88c3da7da488a4ddff96dc5a87fb9a6f40cf7696ee3c7b56694d5c9/DringDring_LR.jpg" data-mid="192945322" border="0" src="https://freight.cargo.site/w/1000/i/e984dd30d88c3da7da488a4ddff96dc5a87fb9a6f40cf7696ee3c7b56694d5c9/DringDring_LR.jpg" /> Parking Lot20 x 16’’Huile sur toile2022 Nothing last forever https://bryanbeyung.com/Tale-Of-An-Ancient-Vase Wed, 06 Jan 2021 21:12:58 +0000 bryanbeyung https://bryanbeyung.com/Tale-Of-An-Ancient-Vase Tale Of An Ancient VaseBoston, Massachusetts2019Collaborateurs : City of Boston,&nbsp;Gee How Oak Tin AssociationAssistances : Amanda Hill<img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4b706a7b7cabc0da5c70862b0f997a84472863e674bde75135e6a540f4c3c5a2/1_LR.jpg" data-mid="100898725" border="0" data-scale="100" src="https://freight.cargo.site/w/667/i/4b706a7b7cabc0da5c70862b0f997a84472863e674bde75135e6a540f4c3c5a2/1_LR.jpg" /><img width="1000" height="725" width_o="1000" height_o="725" data-src="https://freight.cargo.site/t/original/i/1eb68ca26f3495b52ee2dd29f24698d5031facfecdebb4618c2d6d9d7b725b67/4_LR.jpg" data-mid="94198091" border="0" src="https://freight.cargo.site/w/1000/i/1eb68ca26f3495b52ee2dd29f24698d5031facfecdebb4618c2d6d9d7b725b67/4_LR.jpg" /><img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/59c250b1e9fea2da300fcd4d9d112d5de94bb33d916fda6e81f9875d51f8998c/2_LR.jpg" data-mid="100898726" border="0" src="https://freight.cargo.site/w/667/i/59c250b1e9fea2da300fcd4d9d112d5de94bb33d916fda6e81f9875d51f8998c/2_LR.jpg" /> <img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4198b743745ccaddde4c562d9bce969fbffda24ac1c22834d3e630159f6a1b15/ChinatownBoston_Annexe1_LR.jpg" data-mid="100898724" border="0" data-scale="100" src="https://freight.cargo.site/w/750/i/4198b743745ccaddde4c562d9bce969fbffda24ac1c22834d3e630159f6a1b15/ChinatownBoston_Annexe1_LR.jpg" /> https://bryanbeyung.com/Alone-Together Tue, 07 Dec 2021 19:40:49 +0000 bryanbeyung https://bryanbeyung.com/Alone-Together Alone TogetherSeuls ensemble Alone/Together est une collection de 37 cartes postales réalisées par 19 artistes. Ce projet collectif a pris forme lors des ateliers de création donnés par l’artiste espagnol Axel Void. Produit pendant la pandémie de Covid19, le nom du projet est inspiré de la chanson « Alone Together » composée par Arthur Schwartz. Ce projet vise à promouvoir l'interaction humaine dans un format poétique et quotidien. Alone/Together is a collection of 37 postcards by 19 artists. It is a collective project that started as an exercise in AxelVoid’s art class. Produced during the Covid19 pandemic, the project title is inspired by the song “Alone Together” composed by Arthur Schwartz. This project aims to promote human interactio in a poetic and quotidian format. Artistes participants / Participating artists : Axel Void, Fem Sorcell, Faith XLVII, Luis Felipe, Nadia Geraschenko, Concha Gavilán, Rochihiro, Jordi Muñoz Salló, Natasha Baranova, Ekin Senan, Teco De Luccia, Javier Cejudo, Natalia Lasso, Monk.e, Lauren, Adele, Davide Comelli, Gabriela Ayza, Bryan Beyung Quarantine Art <img width="1000" height="714" width_o="1000" height_o="714" data-src="https://freight.cargo.site/t/original/i/9dceb7009344f8425b677a77a0840c0362a0254e4f63ca2d331f1b148ab48b5b/BryanBeyung_GoodMorningPhnomPenh_20x16_1000px-copy.jpg" data-mid="127436841" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/9dceb7009344f8425b677a77a0840c0362a0254e4f63ca2d331f1b148ab48b5b/BryanBeyung_GoodMorningPhnomPenh_20x16_1000px-copy.jpg" />Good Morning Phnom PenhBryan Beyung 20 x 16 poucesHuile sur toileCarte postale– 2020 <img width="1000" height="714" width_o="1000" height_o="714" data-src="https://freight.cargo.site/t/original/i/221651c6cf75c9f3b84fce7b10d73f9bdec45b464138add592a60aaf13f9ae51/BryanBeyung_TheGiftShop_20x16_1000px-copy.jpg" data-mid="127436832" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/221651c6cf75c9f3b84fce7b10d73f9bdec45b464138add592a60aaf13f9ae51/BryanBeyung_TheGiftShop_20x16_1000px-copy.jpg" /> The Russian MarketBryan Beyung 20 x 16 poucesHuile sur toileCarte postale– 2020 Ces pièces ont été créées à Montréal lors de la première phase du confinement dû à la Covid-19 en mars 2020. Elles sont inspirées par des souvenirs de voyage du Cambodge et par la fermeture récente des frontières canadiennes. These pieces were painted in Montreal during the first lockdown due to Covid-19 in March 2020. They are inspired by travel souvenirs in Cambodia and also by the recent closure of Canadians borders. &nbsp; Selection of works&nbsp; <img width="800" height="571" width_o="800" height_o="571" data-src="https://freight.cargo.site/t/original/i/fede06a4f182b466bd4968ee20d4ca7077408ee747fb2a9d418012f9888c3fd4/natashabaranova1_Star-dust__800.jpg" data-mid="127436916" border="0" src="https://freight.cargo.site/w/800/i/fede06a4f182b466bd4968ee20d4ca7077408ee747fb2a9d418012f9888c3fd4/natashabaranova1_Star-dust__800.jpg" /><img width="800" height="571" width_o="800" height_o="571" data-src="https://freight.cargo.site/t/original/i/8d36006799b769e09ed127e43d059f2740d9208c9165cb8ffb3c417d8784deb9/natashabaranova2_hospital-for-plants__800.jpg" data-mid="127436915" border="0" src="https://freight.cargo.site/w/800/i/8d36006799b769e09ed127e43d059f2740d9208c9165cb8ffb3c417d8784deb9/natashabaranova2_hospital-for-plants__800.jpg" />Natasha Baranova <img width="800" height="1120" width_o="800" height_o="1120" data-src="https://freight.cargo.site/t/original/i/128e6cfa5ce092dc2080830561fca51b16983506bd906490aa8d010a58a247bf/The-Last-Stone_Concha-Gavilan_800.jpg" data-mid="127436924" border="0" src="https://freight.cargo.site/w/800/i/128e6cfa5ce092dc2080830561fca51b16983506bd906490aa8d010a58a247bf/The-Last-Stone_Concha-Gavilan_800.jpg" /><img width="800" height="1120" width_o="800" height_o="1120" data-src="https://freight.cargo.site/t/original/i/846c23fef64743ab4934815f6a15843306af2d74201d5397017227d1b6bd9617/Touch-the-stone_Concha-Gavilan_800.jpg" data-mid="127436923" border="0" src="https://freight.cargo.site/w/800/i/846c23fef64743ab4934815f6a15843306af2d74201d5397017227d1b6bd9617/Touch-the-stone_Concha-Gavilan_800.jpg" /> Concha Gavilán <img width="800" height="1120" width_o="800" height_o="1120" data-src="https://freight.cargo.site/t/original/i/62a26df5ec1b809b7f792981a221939f55cc54bf1b7ca9df0e288463df0b5d50/01_together_800.jpg" data-mid="127436963" border="0" src="https://freight.cargo.site/w/800/i/62a26df5ec1b809b7f792981a221939f55cc54bf1b7ca9df0e288463df0b5d50/01_together_800.jpg" />Davide Comelli <img width="800" height="1103" width_o="800" height_o="1103" data-src="https://freight.cargo.site/t/original/i/82fe5d6bba72688fd37d978b44a197864efe40cf40e614e9bcf837830cb54612/20200623_130946_800.jpg" data-mid="127436925" border="0" src="https://freight.cargo.site/w/800/i/82fe5d6bba72688fd37d978b44a197864efe40cf40e614e9bcf837830cb54612/20200623_130946_800.jpg" />Monk.e <img width="1600" height="1120" width_o="1600" height_o="1120" data-src="https://freight.cargo.site/t/original/i/69f9679b3e2a40955340d39808a762caad4fcebceec404467d613f6d84688b68/Dulce-Bellum-Inexpertis---Faith-XLVII._800Linked.jpg" data-mid="127436913" border="0" src="https://freight.cargo.site/w/1000/i/69f9679b3e2a40955340d39808a762caad4fcebceec404467d613f6d84688b68/Dulce-Bellum-Inexpertis---Faith-XLVII._800Linked.jpg" />Faith XLVII <img width="800" height="530" width_o="800" height_o="530" data-src="https://freight.cargo.site/t/original/i/4be437ef4b68ba7362366f60cb709e761d4d10de828210163d22c04b7ca60f85/WhatsApp-Image-2020-08-20-at-12.27.15_800.jpg" data-mid="127436922" border="0" src="https://freight.cargo.site/w/800/i/4be437ef4b68ba7362366f60cb709e761d4d10de828210163d22c04b7ca60f85/WhatsApp-Image-2020-08-20-at-12.27.15_800.jpg" /><img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/0b825c31cd3e0a3b5e89bcf4e737009f88007b177a19bd9341da0689d8b9df00/WhatsApp-Image-2020-08-20-at-12.32.02_800.jpg" data-mid="127436921" border="0" src="https://freight.cargo.site/w/800/i/0b825c31cd3e0a3b5e89bcf4e737009f88007b177a19bd9341da0689d8b9df00/WhatsApp-Image-2020-08-20-at-12.32.02_800.jpg" />Javier Cejudo <img width="800" height="578" width_o="800" height_o="578" data-src="https://freight.cargo.site/t/original/i/3be338e42bc1d3640ce3df1d7ed672186b8f6b940410a97368e66e248ada2a81/Natalia-Lasso---Sterile-family-memories---Alone_800.jpg" data-mid="127436918" border="0" src="https://freight.cargo.site/w/800/i/3be338e42bc1d3640ce3df1d7ed672186b8f6b940410a97368e66e248ada2a81/Natalia-Lasso---Sterile-family-memories---Alone_800.jpg" /> Natalia Lasso <img width="646" height="797" width_o="646" height_o="797" data-src="https://freight.cargo.site/t/original/i/cdac426870388a3fc12c4673d950a0998c8bdd50813895e83df661ae61879e1c/Screen-Shot-2021-12-07-at-11.23.11-AM.jpg" data-mid="127436919" border="0" src="https://freight.cargo.site/w/646/i/cdac426870388a3fc12c4673d950a0998c8bdd50813895e83df661ae61879e1c/Screen-Shot-2021-12-07-at-11.23.11-AM.jpg" />Axel Void https://bryanbeyung.com/Cambodia Tue, 22 Jun 2021 17:59:35 +0000 bryanbeyung https://bryanbeyung.com/Cambodia Phnom PenhCambodia2019 - ...Recueil d’illustrations et photos prisent à Phnom Penh entre 2019 et 2020Collaborateurs : F.T. GalleryAssistance : Jenny Woo <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/92fc84275851af6ecd6f585745bc78d9b9bfcf8c5c52977ce85513dcf36d5832/IMG_20181203_150924_1500px_72dpi.jpg" data-mid="112069328" border="0" src="https://freight.cargo.site/w/1000/i/92fc84275851af6ecd6f585745bc78d9b9bfcf8c5c52977ce85513dcf36d5832/IMG_20181203_150924_1500px_72dpi.jpg" /> <img width="715" height="953" width_o="715" height_o="953" data-src="https://freight.cargo.site/t/original/i/5f8d61e06b2e1e523ab7becccd0fb5609a1775b4443a9d6aee6b5ab9cc4a8f16/IMG_20181204_093216-1.jpg" data-mid="112066972" border="0" src="https://freight.cargo.site/w/715/i/5f8d61e06b2e1e523ab7becccd0fb5609a1775b4443a9d6aee6b5ab9cc4a8f16/IMG_20181204_093216-1.jpg" /><img width="1344" height="1340" width_o="1344" height_o="1340" data-src="https://freight.cargo.site/t/original/i/7390f09f1a812aab58e194b860931675908a357840788a2ecfa016298ca468a8/Monkeys_Corail_19x19_1500px_72dpi.jpg" data-mid="112066969" border="0" src="https://freight.cargo.site/w/1000/i/7390f09f1a812aab58e194b860931675908a357840788a2ecfa016298ca468a8/Monkeys_Corail_19x19_1500px_72dpi.jpg" /><img width="1500" height="1777" width_o="1500" height_o="1777" data-src="https://freight.cargo.site/t/original/i/acd1786a3ef0e4903bd0dcd146750d5ed7c794daba48f2a7315b49603d1ff52b/Mango_Center_1500px_72dpi.jpg" data-mid="112066974" border="0" src="https://freight.cargo.site/w/1000/i/acd1786a3ef0e4903bd0dcd146750d5ed7c794daba48f2a7315b49603d1ff52b/Mango_Center_1500px_72dpi.jpg" /> <img width="1500" height="1471" width_o="1500" height_o="1471" data-src="https://freight.cargo.site/t/original/i/7bd2dc953fd70457ea5627e75d346bdc2d238e398cbfe3620cca1402931b783b/Screenshot_20190919-183127_1500px_72dpi.jpg" data-mid="112066977" border="0" src="https://freight.cargo.site/w/1000/i/7bd2dc953fd70457ea5627e75d346bdc2d238e398cbfe3620cca1402931b783b/Screenshot_20190919-183127_1500px_72dpi.jpg" /><img width="1500" height="1629" width_o="1500" height_o="1629" data-src="https://freight.cargo.site/t/original/i/8e1bfea542d3a5ad3269f4ea6947a5c72af4a7582666bbfc830fc7f72c46d168/IMG_20181203_131544_1500px_96dpi.jpg" data-mid="112066987" border="0" src="https://freight.cargo.site/w/1000/i/8e1bfea542d3a5ad3269f4ea6947a5c72af4a7582666bbfc830fc7f72c46d168/IMG_20181203_131544_1500px_96dpi.jpg" /> <img width="1500" height="1536" width_o="1500" height_o="1536" data-src="https://freight.cargo.site/t/original/i/8eefe84c262027876dfed31d8049757e6e8ab971b5cda59eaf1ce3dbb38a0761/Screenshot_20190919-184445_1500px_96dpi.jpg" data-mid="112066970" border="0" src="https://freight.cargo.site/w/1000/i/8eefe84c262027876dfed31d8049757e6e8ab971b5cda59eaf1ce3dbb38a0761/Screenshot_20190919-184445_1500px_96dpi.jpg" /><img width="1500" height="1455" width_o="1500" height_o="1455" data-src="https://freight.cargo.site/t/original/i/58d405642c4d4589a99f2cb4c425f28de1e15ac03971282c531e736bfee492f0/Screenshot_20190919-184607_1500px_96dpi.jpg" data-mid="112066986" border="0" src="https://freight.cargo.site/w/1000/i/58d405642c4d4589a99f2cb4c425f28de1e15ac03971282c531e736bfee492f0/Screenshot_20190919-184607_1500px_96dpi.jpg" /><img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/92fc84275851af6ecd6f585745bc78d9b9bfcf8c5c52977ce85513dcf36d5832/IMG_20181203_150924_1500px_72dpi.jpg" data-mid="112069328" border="0" src="https://freight.cargo.site/w/1000/i/92fc84275851af6ecd6f585745bc78d9b9bfcf8c5c52977ce85513dcf36d5832/IMG_20181203_150924_1500px_72dpi.jpg" /> https://bryanbeyung.com/Bio Tue, 22 Jun 2021 13:41:08 +0000 bryanbeyung https://bryanbeyung.com/Bio BIO&nbsp;- BIO Bryan Beyung est un artiste visuel basé à Montréal. À travers la peinture, l’art mural et l’installation, il explore les thèmes de l’identité, de la mémoire et de la transmission liés à l’expérience diasporique. Sa pratique s’intéresse à l’impermanence, aux transformations culturelles et aux tensions entre tradition et modernité. Influencé par la photographie, le design graphique et la culture urbaine, il développe des récits visuels où se croisent mémoire personnelle et histoire collective.Son travail a été présenté dans le cadre de diverses festivals, résidences et expositions au Canada et ailleurs. Ses murales prennent place dans l’espace public de plusieurs villes.&nbsp;Bryan Beyung is a visual artist based in Montreal. Through painting, mural art, and installation, he explores themes of identity, memory, and transmission related to the diasporic experience. His practice engages with impermanence, cultural transformation, and the tensions between tradition and modernity. Influenced by photography, graphic design, and urban culture, he develops visual narratives where personal memory and collective history intersect. His work has been presented through various festivals, residencies and exhibitions in Canada and abroad. His murals can be found in public spaces across several cities. CVBryan Beyung bryanbeyung@gmail.com instagram.com/bryanbeyungArts publics2025 –&nbsp;Bas Ya Bahar, National Art Council of Kuwait and Canada Embassy (Kuwait City, Kuwait) 2025 – Perla Eterna, Mack x&nbsp;Milmurs, Pointe-Saint-Charles (Montréal, Canada) 2025 – Casio, Jardin Racine (Racine, Canada)2024 – Demain l’hiver / Tomorrow’s Winter (Montréal, Canada)2024 – Little Ghost, Bump Festival (Calgary, Canada)2024 – Stop Bombing Civilians, Festival Mural (Montréal, Canada)2023 – When The Sun Is Up, The Moon Is Absent, Shine Mural Festival (St. Petersburg, États-Unis)2023 – Jardin intérieur, Place Dupuis (Montréal, Canada)2023 – La boîte à jouets, Ruelle Garlanau (Montréal, Canada)2022 – Étranger, Festival Jidar (Rabat, Maroc)2022 – Mono No Aware, Beyond Walls Festival (Lowell, États-Unis)2021 – Prendere Tempo, Artgang (Montréal, Canada)2021 – L’attente, CICU, galerie Art By Friends (Annecy, France)2020 – Jade et ses homies, Arrondissement Saint-Laurent, Kolab (Montréal, Canada)2020 – Rocky Beach, Arrondissement Lasalle, MU (Montréal, Canada)2020 – The Hold, Anteism Gallery (Montréal, Canada)2020 – The Others, Void Projects (Miami, États-Unis)2019 – Tale Of Ancient Vase, City Of Boston (Boston, États-Unis)2019 – Pedestrians crossing, Dix30, (Brossard, Canada)2019 – Trochromatie, Parc Fréderic-Back (Montréal, Canada)2019 – Humankind Odyssey, Mural Festival (Montréal, Canada)2018 – Gate Keepers, Factory (Phnom Penh, Cambodge)2018 – Passengers, Beyond Walls Festival (Lynn, États-Unis)2018 – Men Anpil Chay Pa Lou, L’art de s’unir (Port-au-Prince, Haiti)2015 – May An Old Song Open A New World, MU (Montréal, Canada)2014 – Migration, MU (Montréal, Canada) Expositions sélectionnées2026 –&nbsp;Loss As A Gift, galerie Pierre-François Ouellette PFOAG (Montréal, Canada) 2024 – Parents à toi / A Kin To You, La Centrale galerie Powerhouse (Montréal, QC)2024 – Analogue, Mystic, galerie Pierre-François Ouellette PFOAG (Montréal, Canada)2024 – Wilderness, Antler Gallery (Portland, Canada)2024 – Trust the Process, Open Gallery (Long Beach, États-Unis)2024 – Year Of The Dragon, Blue Triangle Gallery (Boston, États-Unis)2023 – FAAQ 2024, La Foire d’Art Actuel du Québec (Québec, Canada)2023 – Forest For the Trees, FFTT Space (Seattle, États-Unis)2022 – Völklinger Hütte World Cultural Heritage Site,&nbsp;Urban Art Biennale (Völklingen, Allemagne) 2021 – Art For Kids, Slice Of Life Gallery, (Vancouver, Canada)2020 – Deconstruction, Station 16 (Montréal, Canada)2020 – Figurative, Station 16 (Montréal, Canada)2020 – Khmer Renaissance 2, Hotel Rosewood (Phnom Penh, Cambodia)2020 – Homeless, Void Projects (Miami, États-Unis)2020 – Void, Void Projects (Miami, États-Unis)2020 – Work In Progress, WIP Gallery (Montréal, Canada)2017 – Rebirth, Kbach Gallery, (Phnom Penh, Cambodge)2014 – Beyung, Galerie Michel-Ange (Montréal, Canada) Résidences artistiques 2025 - Résidence artistique éphémère Páifāng E. (Montréal, Canada)2024 – Jardins Racine (Racine, Canada) 2024 – Parents à toi / A Kin To You, La Centrale galerie Powerhouse (Montréal, Canada)2021 – L’attente, Résidence Adoma, Art by Friends (Annecy, France) 2020 – Void Space, Void Project (Miami, États-Unis)2020 – Homeless, Void Project (Miami, États-Unis)Publication2024 – Le dépanneur chinois d’Hochelaga, avec Angelina Guo et James Lee Chiahan, auto-publié Bourses2025 – Conseil des Arts du Canada 2024 – Recherche- Création, Conseil des arts de Montréal2024 – Coopération Québec-Jalisco, Ministère de la Culture et des communiations2023 – CALQ - Vivacité2014 – CALQ - Vivacité Montréal Présentation publique2023 – Panel de discussion, Centrer les expériences d’artistes franco-asiatiques,CanAsian Arts Network2023 – Panel de discussion, Conversation on Chinoiserie, Materiality and the Lure of Objects, Musée des beaux-arts Montréal Formation2019 – Oil painting and Muralism, Formation, Galeria LaRoja (Séville, Espagne)2018 – Color Theory and Muralism, Formation, Galeria LaRoja (Séville, Espagne)2006 – Design graphique, Cégep Marie-Victorin (Montréal, Canada) Presse récentes2024.11.06 – Se guérir des blessures de la guerre, Diamond Yao, Le Devoir 2024 .09.04– Asian Night Market wraps with mural in Chinatown, Johanie Bouffard, City News2022.08.03 – Le festival de street art «Jidar» orne les façades de Rabat, Yacine Bouatrous, Arab News2020.12.06 – L’allumeur de murs, Yves Boisvert, LaPresse2020.10.22 – A New Mural to Brighten Up Rue Tassé in Saint-Laurent, The Suburban2019.06.13 – Mural painter brings Cambodian-Chinese family roots to Montreal streets, Jennifer Yoon, CBC News2018.09.10 – Peindre les murs d’Haïti, Émilie Côté, LaPresse2017.08.17 – Creating an avenue for Cambodian Urban Art, James Reddick, Phnom Penh Post https://bryanbeyung.com/Contact Tue, 22 Jun 2021 13:33:42 +0000 bryanbeyung https://bryanbeyung.com/Contact <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/4e66d64f8374d7196342455574dd56350330b50ebaa9d09d8d7e2595a3932acb/PXL_20201105_163824666.jpg" data-mid="127436294" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/4e66d64f8374d7196342455574dd56350330b50ebaa9d09d8d7e2595a3932acb/PXL_20201105_163824666.jpg" />Email: bryanbeyung@gmail.comInstagram/bryanbeyung https://bryanbeyung.com/Exposition-Remanences-Loss-As-A-Gift-to-delete Fri, 29 May 2026 23:23:58 +0000 bryanbeyung https://bryanbeyung.com/Exposition-Remanences-Loss-As-A-Gift-to-delete Exposition Rémanences / Loss As A Gift Samedi&nbsp;30 mai 2026, de 3-5:30pmà la galerie Pierre-François Ouellette,&nbsp;963 Rachel, E. <img width="1350" height="952" width_o="1350" height_o="952" data-src="https://freight.cargo.site/t/original/i/9b5ab51679f23418b98f92b29564853b0e225113c25f0b91c235e5d9e5326bb4/BB_Cycles_2026B_5_web.jpg" data-mid="248911417" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/9b5ab51679f23418b98f92b29564853b0e225113c25f0b91c235e5d9e5326bb4/BB_Cycles_2026B_5_web.jpg" /><img width="1350" height="952" width_o="1350" height_o="952" data-src="https://freight.cargo.site/t/original/i/3e01c8f60d58172e7f439bd8517d0b1dccf5d98e86c353c252f80ae9c1a9621d/BB_Cycles_2026B_1_web.jpg" data-mid="248911416" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/3e01c8f60d58172e7f439bd8517d0b1dccf5d98e86c353c252f80ae9c1a9621d/BB_Cycles_2026B_1_web.jpg" />Cycles / Cycles, 202678 × 55 in (198.1 × 139.7 cm)Huile sur toile / Oil on canvas &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Naître &nbsp; &nbsp; Dériver &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Disparaître &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Muter&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Transmettre&nbsp; &nbsp; &nbsp;Retourner